“SYNTHETIC TIMES – Media Art China 2008”
National Art Museum of China (NAMOC)
No. 1 Wusi Street Dongcheng District
Jun 10, 2008 -July 3, 2008
During the 2008 Beijing Olympic Games, the National Art Museum of China will present “SYNTHETIC TIMES – Media Art China 2008” in its current location at the center of
The exhibition will occupy approximately 4500 square meters (48000 square feet) of the museum gallery space and an additional outdoor area of ca. 2000 square meters (22000 square feet). The internationally recognized Dutch architecture firm NOX/Lars Spuybroek will architecturally transform the entire first floor of the museum in response to the nature of the works on display. A full-color catalogue will be co-published by NAMOC and the MIT Press to accompany the opening (with international distribution). An online forum dedicated to the discourse of the respective exhibition themes and beyond will be created prior to the opening of the event. A pre-Exhibition symposium will be held in Magdalena Pedrin_An Anagram_Simulated Holographic Instllation_2006 telarc_Walking Head_Pneumatics, electronics, stainless steel, aluminium, acrylic_2006-2008
Synthetic Times – Media Art China 2008 will showcase both established and emerging artists from approximately thirty countries, and over forty media art installation works will be on view along with performances, workshops, presentations and discussion panels. To complement the theme exhibitions, The Museum of Modern Art (MoMA) will contribute a special screening program consisting of seminal video art works. Ars Electronica is set to present the award winning Animation Festival while European Media Art Festival will bring in an edition of International Emerging Video Art. The Exhibition is envisaged as a landmark event in the history of contemporary Chinese art dedicated to embracing the most innovative artistic production and theorization to date, and aspiring to foster and advance new modes of thinking and novel ways of artistic engagement in an increasingly technologically immersed society and global cultural landscape, resonating with the leitmotifs of “Cultural Olympics” and “Hi-Tech Olympics” put forward by the 2008 Beijing Olympic Games.
Supported by the Chinese government, international cultural foundations as well as embassies from the participating countries, renowned museums and media art institutions worldwide will collaborate with NAMOC to produce the Exhibition and its related events.
http://www.namoc.org/namoc/index.jsp
A selection of international artists, both established and emerging, from twenty-nine countries will present to the Chinese audience a stunning battery of significant media installation works, ranging from telematic presence to bio-cultural hybrids; from sensible machines to generative systems; from robotic interventions to audio-video spectacles; from immersive environments to monumental structures. The works on view highlight the most cutting edge artistic imaginations since the dawn of the new millennium, proposing new sensibilities for cultural artifacts, reflecting and critiquing a technologically drenched contemporary society. Many of the works featured will be world premiers.
Christoph Hildebrand_Vortex_Networked Installation_2005 Marek Walczak & Martin Wattenberg with Rory Solomon & Jonathan Feinberg_Noplace_Networked Virtual Reality Interactive Environment_2008
[Exhibition]
Beyond Body, Emotive Digital, The Recombinant Reality, Here, There and Everywhere, Screening Program.
[Screening Program]
On TIme
Organized by The
Curated by Barbara London
Peter Campus, Three Transitions. 1973. 4 min.
Gary Hill. Soundings. 1979. 18 min.
Joan Jonas, Songdelay. 1973. 18 min.
Kristin Lucas, Host. 1997. 8 min.
Pipilotti Rist, I’m not the Girl who Misses Much. 1986. 8 min.
Michael Snow, The Living Room. 2000. 10 min.
Talking Heads, Road to Nowhere. 1985. 4 min. 4 sec. Directed by David Byrne and Stephen Johnson. Animated by Paul Tassie. Edited by David Wild. Produced by Tina Silvey. Warner Brothers Records.
Steina Vasulka, Summer Salt. 1982. 19 min.
Bill Viola, Ancient of Days. 1979-81. 13 min.
Robert Wilson, Deafman Glance, 1981. 27 min.
Ars Electronica Animation Festival
Organized by Ars
Curated by Sirikit Amann
1. Prix Selection: Stretched Worlds
2. Prix Selection: Bestiarium Digitalis
3. Prix Selection: Narrative
4. Prix Selection: Drama
5. Prix Selection: Fight and Chase
6. Prix Selection: Visual Effects
7. Prix Selection: Abstract, space, movement
8. u19 – freestyle animation
9. Japanese Animation, curated by the Japan Media Art Festival
International Emerging Video Artists
Organized by EMAF, European Media Art Festival, Osnabrück
1. ALONE AMONGST FRIENDS
2. Remapping
3. The Future
[Essays & Forum]
Peter Weibel: "Synthetic Times"
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Jordan Crandall: "Becoming-Recombinant"
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Oliver Grau: "BLUR: The Recombinant Reality: Immersion & Interactive Image Spaces"
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Erkki Huhtamo: "Cyborg is a Topos"
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Caroline Jones: "Going Beyond the Body?"
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Arthur Kroker: "When Data Slams into the Human Condition, What Results is Here, There and Everywhere"
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Friedrich Kittler: "On the Implementation of Knowledge- Toward a Theory of Hardware"
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Mike Stubbs: "Relational Synthetics"
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